The Concierto Antillano has been recorded three times, first by Costas Cotsiolis and the Philharmonic Orchestra of Liège, directed by Leo Brouwer (Música Viva MV 88.045), later by Carlos Barbosa Lima (Concord CCD-42048-2), and more recently by Angel Romero who made a video of the Concerto (Corporación de las Artes Musicales). López have all performed his concertos, as have leading international performers including Angel Romero, Carlos Barbosa Lima, Manuel Barrueco, Costas Cotsiolis, Eduardo Fernández, Pepe Romero, Alírio Díaz, Carlos A. Ernesto Cordero's countrymen Iván Rijos, Leonardo Egúrbida, Juan Sorroche and José A. Milestones for Cordero have been the performances and recordings of his guitar concertos: the 19 premieres in Puerto Rico of the Concierto Evocativo and the Concierto Antillano, the 1988 performance of the Concierto Antillano in Paris by the Philharmonic of Radio France under the baton of his close friend and colleague Leo Brouwer, and the 1991 premiere at the Sixth International Congress of Guitar in Mettmann, Germany, of the Concierto Bayoán. Cordero's performances they projected a healthy combination of skill, sensitive invention and sound musical effect". Of Cordero's compositions, the New York Times review said, ". like Mr. The colorist variety of his playing is also extensive, and the subtle interplay of tonal nuances gave each piece a solid musical profile as well as supplying a beguiling sensuous wash of sound". Davis highly acclaimed Ernesto Cordero's January 1978 New York Carnegie Recital Hall debut as a guitarist and as a composer: "His technique is impeccable, remarkable for its finger independence and ability to clarify and articulate the most complex textures. To date, there are more than forty recordings of Cordero's works, and most of his several dozen compositions have been published under the banners of leading publishers, for example Max Eschig (France), Bèrben (Italy), Chanterelle, Antes Edition and Hubertus Nogatz (Germany), Doberman-Yppan, Les Productions d'Oz (Canada), Mel Bay Publications, Boosey & Hawkes, Éditions Orphée, Falls House Press, and Michael Lorimer Editions (USA).Īlthough Ernesto Cordero is now generally known only as a composer, the New York Times reviewer Peter G. He has received important awards for composition and his music is performed and recorded worldwide by the finest artists. He has written eight concertos (four for guitar, two for violin, one for flute/piccolo and one for the Puerto Rican cuatro), orchestral compositions, a variety of chamber works in which the guitar appears in diverse ensembles, and numerous guitar solos, some of which have become standards. Music Ĭordero has composed a large catalogue distinguished by its Caribbean flavor. In addition to his activities as composer, performer and teacher, Ernesto Cordero was music director since 1980 to 1997 of the International Guitar Festival of Puerto Rico. Since 1971, he taught composition and guitar in the music department of the University of Puerto Rico. He first studied guitar from 1961 to 1964 with Jorge Rubiano and he later worked with several teachers, most importantly Regino Sainz de la Maza in Spain in the 60s and Alirio Díaz and Claudio de Angelis in Italy in 1972. Subsequently, he did post-graduate work in composition with Roberto Caggiano in Rome, Italy, from 1972 to 1974, and with Julian Orbón in New York, from 1977 to 1978.
Links Presencias de Musica.Ernesto Cordero was born in New York City and began his higher studies in 1963 when he entered the Conservatory of Music of Puerto Rico, continuing at the Madrid Royal Conservatory, Spain, where he earned a diploma in 1971. The joint is really jumpin'Judy Garland e Jos. Barber Ball & Acker Bilk The green leaves. Laura Pausini & Miguel Bose Te amare toda la. Cesaria Evora & Campay Segundo Tengo un nuevo. Gianni Morandi Su cara, su.Īl Bano Su nel cielo. Ritchie Valens Stay with me till the norning. Willie Nelson & Wynton Marsalis Starry night - Vincente. Una partitura vocal (o partitura para piano y voz) es una reducción de la partitura de una obra vocal, como por ejemplo, una ópera, un musical, un oratorio, una. Para Elisa o también llamado Para Teresa (Therese) WoO 59 (Für Elise o Für Therese, en alemán) es una bagatela para piano solo, compuesta en La menor por el.Īrtie Shaw St. Concepto «Biophilia» para iPad incluirá una decena de aplicaciones por separado, todas alojadas dentro una aplicación «madre».
James infirmary.ĭe la cuna a la tumba es una escuela, por eso lo que llamas, problemas son lecciones y la vida es dinámica por eso está en constante movimiento, por eso sólo debes.
0 kommentar(er)
